This is a guide to Moore's sculptures on public display throughout the world. We strive to ensure that all information is accurate, however we recommend that you contact each venue before making a visit. Please also contact us if you spot any mistakes. In some instances it has not been possible to source an image of the actual sculpture in-situ, and on such occasions an alternative image has been used.
I think it may be the interest I had early on in armour, in places like the Victoria and Albert Museum where one used to wander round as a student in the lunch hours.
And it may be that I remembered reading stories that impressed me and Wyndham Lewis talking about the shell of lobster covering the soft flesh inside. This became an established idea with me – that of an outer protection to an inner form, and it may have something to do with the mother and child idea; that is where there is the relation of the big thing to the little thing, and the protection idea. The helmet is a kind of protection thing, too, and it became a recording of things inside other things. The mystery of semiobscurity where one can only half distinguish something. In the helmet you do not quite know what is inside.
Henry Moore quoted in the article ‘Moore on his Methods’, Christian Science Monitor, Boston 24 March 1967.