Events

As part of United Enemies, the Institute has organised a series of film screenings exploring how artists in the 1960s and 1970s deployed sculpture in film, as well as using film to rethink sculpture. Each screening addresses the three central approaches to sculpture taken in United Enemies: 'Manual Thinking', 'Standing' and 'Groundwork'.

Rarely screened films made by several of the artists in the exhibition are programmed alongside radical and influential work made by British experimental filmmakers. The events feature live expanded cinema works performed in person by David Dye and Malcolm Le Grice, and the guest attendance of Sebastian Boyle of The Boyle Family.

Standing, featuring a live expanded cinema work performed by Malcolm Le Grice, is the second in our United Enemies film programme and includes the following film works:

Jill Bruce & Bruce Lacey, ‘Double Exposure’, 1975
Jill Bruce & Bruce Lacey, ‘How To Have A Bath’, 1975
Gilbert and George, ‘Gordon’s Makes Us Drunk’, 1972
Marilyn Halford, ‘Footsteps’, 1974
David Hall, ‘Vertical’, 1969
David Hall & Tony Sinden, ‘Edge’, 1972-73
Malcolm Le Grice, ‘Horror Film 1’, 1971
Bruce McLean, ‘A Million Smiles For One Of Your Miles, Walter’, 1970/2011
Paul Neagu, ‘Hyphen Ramp - 88 Riots At The Serpentine’, 1976
Anne Rees-Mogg, ‘Muybridge Film’, 1975
Guy Sherwin, ‘Portrait With Parents’, 1975

Curated by William Rose and Jon Wood.

Booking essential (and galleries open until 9pm)

Tickets cost £5. Payments can be made in advance or on the evening. To book and pay in advance please contact Bruce Davies, Senior Receptionist - bruce@henry-moore.org